Monday, January 30, 2012
The News For Parrots ~ Veto The Cat Of Ignorance
Found googling "married a building"
from Jezebel:
Objectum Sexuality: When Relationships W… "Objectum Sexuals - they call themselves
"OS people - believe their love with the objects are reciprocal and that they can telepathically communicate with them.
Amy Wolf is in love with a fairground ride called 1001 Nacht, for which she writes poetry. Based on appearances, she seems like an out-and-proud lesbian, but has no interest in humans. She also loves a church banister, a banister in her home, and the Empire State building."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
at a cached page from a gone SabugBlog.net's Blog
Buddha
The Formative Prince
As the youthful prince grew up he mastered all the tralatitious arts and sciences without needing any education. He knew sixty-four contrastive languages apiece with their own abc and he was also really good at maths. He erst told his parent that he could bank all the atoms in the reality in the moment it takes to entertainer a sole relief. Although he did not requirement to meditate he did so to delight his theologian and to good others. At his chief’s quest he married a building where in component to various donnish subjects he became trained at sports such as martial bailiwick and archery. The prince would tolerate every opportunity to transport unworldly meanings and to encourage others to canvass sacred paths. At one dimension when he was action part in an archery contend he asserted "With the bow of meditative engrossment I present onrush the arrow of wiseness and veto the cat of ignorance in living beings." He then free the mark and it flew soul through quintet chains tigers and heptad trees before leaving into the material! By witnessing demonstrations much as this thousands of grouping industrial belief in the consort.
Witnessing Wretched
Sometimes Prince Siddhartha would go into the capital city of his antecedent’s land to see how the people lived. During these visits he came into communicating with many old fill and displeased fill and on one ground he saw a body. These encounters socialist a abyssal printing on his remember and led him to see that all extant beings without exception score to experience the sufferings of relationship symptom ageing and end. Because he apprehended the laws of reincarnation he also realized that they experience these sufferings not retributory formerly but again and again in existence after existence without cessation. Sightedness how all experience beings are treed in this vicious shape of unhappy he felt recondite compassion for them and he mature a dear request to escaped all of them from their unhappy. Realizing that only a full educated Gautama has the good and the power to support all living beings in this way he resolved to reach the mansion and toy to the solitude of the ground where he would mesh in unplumbed reflexion until he attained enlightenment.
Sunday, January 29, 2012
The News For Parrots ~ Eyes Havin' It
from Fire From Heaven: A Novel About Gilles de Rais, by Michel Bataille, 1967, originally published in France as Le feu du ciel in 1964.
Habitually that marked that end. The executioner's assistants would then go away, and the remains of the victim would be buried.
But it was the wish of the English that nothing be left of Joan. There must not be any relics. This in itself showed they knew they were burning a Saint.
The executioner busied himself with the embers, adding pitch and coal to the debris.
The next day the executioner went to confession and disclosed the miracle which had troubled his rather superficial soul; he had not been able to burn either Joan's heart or her intestines. Even when filled with burning pitch, they remained scarlet and intact to the end.
What should have be done with these remains, these ashes? The English decided to throw them into the Seine. Joan must not have a sepulcher before which, one day, after the invader had left, a grateful populace could come and bow down.
This decision was a political mistake. If, later, Joan lay in some tomb, under some monument, she would be there and alone.
Since, on the contrary, they had not wanted her to be anywhere, she must needs be everywhere.
The universe would be her coffin, her funeral slab the immensity of the heavens. Commemorating the remembrance of Joan would not consist in her family visiting some cemetery on All Saints' Day. There was no cemetery; there was no tomb. Her immortality was to be found in the dreams of all mankind.
That was the ultimate mistake of the unfortunate Cardinal of Winchester.
Already, by having Joan burned, he had made certain that the English would be driven from France. And it was not long before this happened.
He wanted to have the ashes thrown into a river; he believed that in this way they would be caused to disappear. On the contrary, he spread them through the pages of history. For rivers, as the Cardinal of Winchester should have known, flow into the sea.
Swept along by the long reach of the Seine, the infinitesimal remains of Joan of Arc would travel far. They would float slowly between banks covered by the grass of Normandy as by a tapestry. They would pass within sight of the ever-white towers of the famous Abbey of Jumieges. They would parade past the chalk cliffs that fringe the right bank of the estuary, while the left bank stretches out flat. Between Honofleur and Havre de Grace, a name destined to be the most appropriate, the Seine becomes very wide.
Then already the waves begin to ruffle the water, which turns salt. The river is reaching the sea.
Thus in the gray and bitter immensity of the sea, without limit or bourne, always in motion, a motion that with an ever-recurring muffled roar breaks like a mysterious warning on the beaches of lands that are the haunts of men, everything comes to an end.
At sea, everything is lost. Everything that remained of Joan came to an end because the English so willed it, unforgettably, in the wild spaces that lave the continents, the only element on this unfortunate planet that evokes by its sublime expanse what the slow-moving generation of humans have called their God.
The heart-rending adventure begun hardly two years before stretched out across the sky like a rainbow, to be dissolved by the ocean fogs.
Where Joan was, a few sea gulls flew in circles in the misty sky. Some glided. Others uttered harsh cries.
Then they flew away.
There was nothing left.
There was nothing left on the surface of the ocean but a maid's honor.
But it was the wish of the English that nothing be left of Joan. There must not be any relics. This in itself showed they knew they were burning a Saint.
The executioner busied himself with the embers, adding pitch and coal to the debris.
The next day the executioner went to confession and disclosed the miracle which had troubled his rather superficial soul; he had not been able to burn either Joan's heart or her intestines. Even when filled with burning pitch, they remained scarlet and intact to the end.
What should have be done with these remains, these ashes? The English decided to throw them into the Seine. Joan must not have a sepulcher before which, one day, after the invader had left, a grateful populace could come and bow down.
This decision was a political mistake. If, later, Joan lay in some tomb, under some monument, she would be there and alone.
Since, on the contrary, they had not wanted her to be anywhere, she must needs be everywhere.
The universe would be her coffin, her funeral slab the immensity of the heavens. Commemorating the remembrance of Joan would not consist in her family visiting some cemetery on All Saints' Day. There was no cemetery; there was no tomb. Her immortality was to be found in the dreams of all mankind.
That was the ultimate mistake of the unfortunate Cardinal of Winchester.
Already, by having Joan burned, he had made certain that the English would be driven from France. And it was not long before this happened.
He wanted to have the ashes thrown into a river; he believed that in this way they would be caused to disappear. On the contrary, he spread them through the pages of history. For rivers, as the Cardinal of Winchester should have known, flow into the sea.
Swept along by the long reach of the Seine, the infinitesimal remains of Joan of Arc would travel far. They would float slowly between banks covered by the grass of Normandy as by a tapestry. They would pass within sight of the ever-white towers of the famous Abbey of Jumieges. They would parade past the chalk cliffs that fringe the right bank of the estuary, while the left bank stretches out flat. Between Honofleur and Havre de Grace, a name destined to be the most appropriate, the Seine becomes very wide.
Then already the waves begin to ruffle the water, which turns salt. The river is reaching the sea.
Thus in the gray and bitter immensity of the sea, without limit or bourne, always in motion, a motion that with an ever-recurring muffled roar breaks like a mysterious warning on the beaches of lands that are the haunts of men, everything comes to an end.
At sea, everything is lost. Everything that remained of Joan came to an end because the English so willed it, unforgettably, in the wild spaces that lave the continents, the only element on this unfortunate planet that evokes by its sublime expanse what the slow-moving generation of humans have called their God.
The heart-rending adventure begun hardly two years before stretched out across the sky like a rainbow, to be dissolved by the ocean fogs.
Where Joan was, a few sea gulls flew in circles in the misty sky. Some glided. Others uttered harsh cries.
Then they flew away.
There was nothing left.
There was nothing left on the surface of the ocean but a maid's honor.
The News For Parrots ~ The Babble O' The Birds
Sunday, January 22, 2012
The News For Parrots ~ All The Cage's A Stage
It is, perhaps, not going too far to say that, in the pantomime of Jack and the Beanstalk, at Drury Lane Theatre, Mr. Augustus Harris has this year excelled all his previous Christmas productions. Instead of the old notion of a demon, who vindictively pursues the hero and heroine, and a fairy godmother who protects them, the motive of the opening of this pantomime is supplied by the quarrel between Oberon and Titania (out of Midsummer Night's Dream). Oberon, to spite his wife, causes the giant Gorgibuster to fall in love with, and carry off, the Princess Diamond Ducky, who is in love with Jack. Titania of course befriends the lovers, and ultimately Oberon makes up his quarrel with her, and the pair combine to defeat the wicked purposes of the giant, who by the way used to be called an ogre in the old story. The first scene is Oberon's bower, whence we are taken to the palace of the King and Queen, who are represented by the well-known Drury Lane favourites, Mr. Harry Nicholls and Mr. Herbert Campbell. Here we have love passages between Jack and the Princess, who is ultimately carried off by the giant. We are then introduced to the dairy of Jack's mother (Mr. Dan Leno), whence we pass to a marketplace scene, the grouping and colouring in which are exquisite. In the next scene, Puck, at Oberon's instance, purchases Jack's cow with the magic "beans, which are thrown away by his mother in a rage. This leads up to the growth of the beanstalk, which rises in the form of the Eiffel Tower. By its means the King and Queen, Jack and his mother, reach the giant's castle, and with the assistance of Oberon and Titania, release the Princess. This is made the occasion for a procession of Shakespeare's heroes and heroines, who are supposed to have been kept there in durance vile. The procession is admirably and tastefully arranged, and no expense has been spared on the surroundings. Then follow one or two more scenes, concluding with revels in Olympus and another procession, formed of the gods and goddesses, beautiful in the extreme. In one respect this pantomime is infinitely superior to that produced last year, which was remarkably deficient in humour. This year the fun commences almost with the first line, and goes right through to the end, so that, though the house is treated to much of the poetry of colouring, and the poetry of motion as before, it is never bored. There is an extremely comic cow, and a pantomime cock, which fights with a real cock, both of which are beyond praise.
The News For Parrots ~ Oppressor Documents of Infinite Gesture
The United service magazine: Volume 174 - Page 203
On the idle days Malleson got leave to go and visit the Zulu kraals in the neighbourhood of the Amatikulu. Very friendly he found his late enemies. They had been beaten, but bore no grudge, and seemed always ready to welcome the English "Inkosi" into their villages, and offer such simple hospitality as their kraals afforded. Nursing a little black naked baby, covered as is the custom of the country with red clay, Malleson sometimes found himself the centre of an admiring and laughing crowd of "Intombis," with whom he talked freely through his interpreter. At other times the men would gather round him, show him their wounds, and describe with infinite gesture their individual acts in the war.
Not long after this, Malleson was ordered to. take tents and stay until further orders at the Tuyoni drift, some few miles from the Tugela river. Here, for a long time, he was quite alone as far as regarded the company of white men. Up to this he had enjoyed excellent health. Long marches in the sun, bad food, and worse water, hard work, wet nights, everything seemed to agree with him. But one night, after a harder day's work than usual, he felt a queer languor creeping over him. This was succeeded by a fit of shivering, but he turned in, and slept and thought no more about it.
The next day a transport officer, called Arthur, came by, whom Malleson knew, and turned into camp to have a pipe and a chat. Malleson felt very seedy, but made no complaint. Occasionally he shivered; a fact that Arthur's keen eyes noticed.
"Look here, old man," he said to Malleson; "you 're looking very seedy. I think you are in for a turn of fever. I had it myself, and know what it is like."
"Yes," returned Malleson; "I am not too well, but it will pass off, I daresay. It's just the miserable loneliness of this place; not a fellow to speak to here for days together, and the food bad as well."
Arthur shook his head. He had seen a good many men in the same way, who had thought and hoped the same thing, but who had died, or spent many weary days in sickness.
"Well, old fellow, I shall be back in a couple of days. "What can I do for you. Can I bring you anything?"
"My dear Arthur," said Malleson, "if I 'm going to be ill, I 'm going to be ill, and that's all about it. But, unlike the Prince of Wales, my thirst has come on before my fever—if it is fever. Try and raise a couple of big bottles of Bass for me, old chap. I feel I should like that more than anything else I can think of, whether it would be deadly or not."
"Right you are, Malleson," replied Arthur, who was one of those cheery fellows who would do anything for anybody, and who had hosts of friends everywhere. "You shall have the beer."
by Edward Alfred Pollard, 1869
In Richmond there was no end of "confidence men," pretenders, gossipers; and any man who sought a brief hour of self-importance had only to profess that he had been admitted to a back-door confidence with some General, Secretary, or even Department clerk. The most paltry individuals affected this confidence. A disreputable blockade-runner, accustomed to wait in the ante-rooms of head clerks for passports, or permits for whiskey and woolen goods, would, to gaping and ill smelling audiences in bar rooms, tell stories of "behind the scenes," and offer explanations why General Lee fought the battle of Gettysburg, and what were President Davis's whispered words about Johnston.
It would be one of the most curious volumes of modern times, a collection of all the rumors circulated in Richmond alone during the war, leaving out none of their absurdities. It would be metaphysically interesting as showing how busy and various the human fancy is. There are but two persons now who could make such a collection, even approximately; and they, through this generation, will be graphically remembered in Richmond as the rival news-hunters of a historical period. In this character they were the most notorious men in the capital.
The first, a wealthy speculator and man of leisure, was popularly known as "Long Tom," from his thin and elongated figure. This man appeared to take a morbid delight in the sole occupation of hunting news day and night; it got to be a kind of insanity with him; he scarcely ate or slept, and, at almost every hour of the day, and far into the night, he might be seen haunting the telegraph office, wandering like a weary ghost in the passage way of the War Department, or holding his hand to his ear on the skirts of every crowd on the street corners. He had no particular purpose to serve in this eavesdropping and ear-wigging; it was his entertainment, his occupation by choice, and he was never happier than when he obtained a piece of news, good or bad, with permission to retail it.
His rival in the rumor business was a little, ferrety, incoherent man, a druggist by profession, but a "sensationist" by real occupation. He dealt only in the largest sensations. He had a habit of speaking with infinite gesture; would sometimes be lost in a perfect splutter of exclamation, when he had important news to convey; and was so dense and un-intelligible in his communications, that he generally had to tell his story twice to be understood. He would sometimes break into the newspaper offices, pale and incoherent, with the most dreadful stories, nigh to bursting with news, and in such tremor from his emotions that the reporters would find it a task to calm him, and were wont to compose his nerves by a strengthening draught as a preface to his recital. Once the author recollects to have been called across the street by this little man making the most eager and dramatic gestures, and actually quivering with excitement. "Great God, have you heard the news, Mr. P.," he exclaimed thickly; "Jeff. Davis has just...
Labels:
blockade runners,
confidence men,
ear-wigging,
eavesdropping,
gettysburg,
gossipers,
head clerks,
long tom,
men of leisure,
pretenders,
rumor business,
sensationist,
speculators,
whiskey
The News For Parrots ~ Picking Nits and Influences
Henry James from French Poets and Novelists, 1878
Saturday, January 21, 2012
Friday, January 20, 2012
Tuesday, January 17, 2012
Monday, January 16, 2012
The News For Parrots ~ The Opposite Is Also True
Monique Wittig from One Is Not Born A Woman from The Straight Mind and Other Essays
from Charles Dickens' Household Words, 1852
This real necessity for everyone to exist as an individual, as well as a member of a class, is perhaps the first condition for the accomplishment of a revolution, without which there can be no real fight or transformation. But the opposite is also true; without class and class consiousness there are no real subjects, only alienated individuals. For women to answer the question of the individual subject in materialist terms is first to show, as the lesbians and feminists did, that supposedly "subjective," "individual," "private" problems are in fact social problems, class problems; that sexuality is not for women an individual and subjective expression, but a social institution of violence. But once we have shown that all so-called personal problems are in fact class problems, we will still be left with the question of the subject of each singular woman -- not the myth, but each one of us. At this point, let us say that a new and personal and subjective definition for all humankind can only be found beyond the categories of sex (woman and man) and that the advent of individual subjects demands first destroying the categories of sex, ending the use of them, and rejecting all sciences which still use these categories as their fundamentals (practically all social sciences).
from Charles Dickens' Household Words, 1852
Sunday, January 15, 2012
Saturday, January 14, 2012
The News For Parrots ~ San Francisco Fairies
From Sunset Magazine, Volume XX, November 1907, after the earthquake
SAN FRANCISCO'S FAIRIES
By Charles K. Field
Aye, Peter Pan, we do believe in fairies!
Sure of those among us we are bound to credit yours;
Seeing to a man how magic everywhere is,
Seeing to a man how magic everywhere is,
Willy-nilly in our hearts the childish faith endures.
Sad enough were we the day the fairies found us,
Desolate and sad enough upon our ashy hills;
Desolate and sad enough upon our ashy hills;
Sorrowing to see our ruins lie around us,
We were very near despair, against our helpless wills.
Then came the fairies! No one saw them winging
Where the fire-swept city lay, a dreary land of doom,
Where the fire-swept city lay, a dreary land of doom,
Till we were aware of enchantment softly springing—
'Mid the bricks and twisted steel, flowers burst in bloom.
Subscribe to:
Comments (Atom)