"So ho, John! how now? Told you so, you know. Don't crow, another time, before you 're out of the woods! Does your mother know you 're out? Oh, no, no! — so go home at once, now, John, to your odious old woods of Concord! Go home to your woods, old owl, — go! You won't? Oh, poh, poh, John, don't do so! You 've got to go, you know! So go at once, and don't go slow; for nobody owns you here, you know. Oh, John, John, if you don't go you 're no homo — no! You 're only a fowl, an owl; a cow, a sow; a doll, a poll; a poor, old, good-for-nothing-to-nobody, log, dog, hog, or frog, come out of a Concord bog. Cool, now — cool! Do be cool, you fool! None of your crowing, old cock! Don't frown so — don't! Don't hollo, nor howl, nor growl, nor bow-wow-wow! Good Lord, John, how you do look! Told you so, you know — but stop rolling your goose of an old poll about so, and go and drown your sorrows in a bowl!"
Thursday, September 15, 2011
Primordial Beat: Other Howls, Other Loons
Edgar Allan Poe's mockery of an O obsessed journalist in his story X-ing a Paragrab set a driving rhythm for the cool future of fringe lit.
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